Tell
Tell explores Aboriginal and Torres Strait Islander life, history and culture through a focus on photography and its expanded field. The exhibition brings together the work of 17 Indigenous contemporary artists that deploy photographic technologies in varying ways to negotiate change on their own terms.
The exhibition assembles a diverse collection of photo-based and photo-inspired works that narrate, relate, determine and decide – embracing tradition and culture as well as the potential that new technologies offer contemporary practice. Photography is located as a powerful outlet for self-expression and self-determination, and a medium empowering device for Aboriginal and Torres Strait Islander artists to reframe and redefine.
Set against a backdrop of social and political discourse, the exhibition aims to breakdown stereotypical views of Australian Indigeneity – offering the opportunity for audiences to engage with the dynamism of Indigenous identities, and expand their traditional understanding of photography.
Tell presents a culturally dynamic narrative that speaks to the personal as collective experience of the artists. The exhibitions mass narrative simultaneously focussing outward and inward in a cyclic reflection – illustrating stories of experience, history and culture to provoke a deeper understanding of Indigenous identities, culture and continuity and the complexities that come with it.
Location
Ballarat International Foto Biennale, Ballarat
Artists Moorinia Bonini, Bindi Cole Chocka, Maree Clarke, Brenda L Croft, Destiny Deacon, Robert Fielding, Deanne Gilson, Jody Haines, Dianne Jones, Ricky Maynard, Hayley Millar-Baker, Kent Morris, Pitcha Makin Fellas, Steven Rhall, Damien Shen, Warwick Thornton, James Tylor and Laura Wills
Curator Jessica Clark
Commissioned by Ballarat International Foto Biennale and toured to Sydney Festival 2018
Date 19 August–17 September 2017
Tell 2017, installation view, Ballarat International Foto Biennale, Ballarat
Brenda L. Croft, Self-Portraits on Country, from subalter/N/ative dreams series 2014, 13 pigment prints, installation, 61 x 43cm (each) Courtesy the artist, Stills Gallery, Sydney and Niagara Gallery, Melbourne
Tell 2017, installation view, Ballarat International Foto Biennale, Ballarat
Destiny Deacon, Ebony and Ivory Face Race 2016, Digital pigment ink print on archival paper, 100 x 75cm. Courtesy the artist and Roslyn Oxley9 Gallery, Sydney
Tell 2017, installation view, Ballarat International Foto Biennale, Ballarat
Tell 2017, installation view, Ballarat International Foto Biennale, Ballarat
Tell 2017, installation view, Ballarat International Foto Biennale, Ballarat
Tell 2017, installation view, Ballarat International Foto Biennale, Ballarat
Jody Haines, Self Portrait #1-6, from This is not Resolved series, 2016, Giclee Fine Art Print, 72 x 48cm each. Courtesy the artist
Kent Morris, Magpie, Currawong, and Crow 2017, from Cultural Reflections - Up Above #3 series, Pigment print on rag paper, 120 x 80cm. Courtesy the artist and Vivien Anderson Gallery, Melbourne.
James Tylor and Laura Wills, The Forgotten Wars 1-6 2017, Drawing on photographic paper, 50 x 50cm each. Courtesy the artist and Vivien Anderson Gallery, Melbourne
Maree Clarke, Portrait (woman wearing black crow feather necklace) 2017, digital image on di-bond, 200 x 120 cm, Courtesy the artist and Vivien Anderson Gallery, Melbourne
Pitcha Makin Fellas (Myles Walsh, Peter-Shane Rotumah, Adrian Rigney, Ted Laxton, Thomas Marks), Fella Looking, Angelsea, and Blackhill Lookout 2017, from Looking at 2 Cultures series pigment print, acrylic paint, 120 x 80cm. Courtesy the artists
Ricky Maynard, Wik Elder; Gladys, Arthur, and Bruce - Returning to Places that Name Us 2000, Silver gelatin print on paper, unframed; edition 15, 95 x 120 cm each
Warwick Thornton, Untitled 1 2013, Pigment print, 2 parts; 100 x 100 cm; 14.8 x 14.8 cm, Courtesy the artist and Anna Schwartz Gallery, Melbourne
Deanne Gilson, Lubra (Me) 2017, from Cook, Murnong and Me series, Digital photograph on aluminium, 75 x 114 cm. Courtesy the artist
Damien Shen, Still Life After Penn 2017, detail, Courtesy the artist and MARS Gallery, Melbourne
Moorina Bonini, You’ve Had Your Turn, Now it's MINE 2017, 6 pigment prints on rag paper, 3 wooden boxes housing beakers and ochre samples, Pigment prints: 65 x 45cm; Boxes: 42 x 21 x 17cm, Courtesy the artist
Bindi Cole-Chocka, Fertility 1-4 2017, 4 pigment prints on gloss paper, 120 x 80cm each. Courtesy the artist
Touring Sydney Festival, Sydney (6 January–24 February 2018)