VIETNAM – ONE IN, ALL IN
VIETNAM – ONE IN, ALL IN presents a contemporary framework through which to acknowledge and honour Aboriginal military service in the Vietnam War – before, during and after. Located within a larger three-year project that has been devoted to sharing the untold stories of South Australia’s Aboriginal Veterans, the exhibition and final instalment, acts as a collective response to our current need to uncover and give voice to histories untold. With so many veterans of war remaining silent on their return, the absence of Indigenous voices in our military history, and the haze that still clouds Australia’s involvement in, and acknowledgement of, the Vietnam War, the exhibition is more important than ever.
The exhibition at its very heart is multi-layered and brings together ten selected Aboriginal artists – Allan Collins, Brad Darkson, Beaver Lennon, Hayley Millar-Baker, Clem Newchurch, Lavene Ngatokorua, Sandra Saunders, Damien Shen, James Tylor and Tony Wilson. Each artist was paired with an Aboriginal Veteran from South Australia who had served in Vietnam, and asked to creatively respond to their recorded interviews. An additional two artists, Major Sumner AM and Raymond Zada, were commissioned to create work that would act as a contemporary monument, and acknowledge the service of all of South Australia's Aboriginal Vietnam Veterans – both living and passed. Colleen Strangways was also commissioned to create a series of photographic portraits of the veterans whose stories feature in VIETNAM – ONE IN, ALL IN.
With the aim to build greater recognition in the broader Australian community of our veterans’ sacrifices, an integral aspect of this project has been community consultation. The project team worked closely with our Anzac brains trust – Frank Lampard OAM, Bill Hignett OAM, and Ian Smith – who have guided and supported the project, assisted with research and connected us with veterans. From this process, ten Aboriginal veterans from South Australia and their family members willingly offered their involvement in the project; they gave up their time to meet with Creative Producer Lee-Ann Buckskin and myself to capture their stories, memories and experiences in a recorded interview. The veterans we had the honour of meeting and interviewing were incredibly generous with their time and the stories they shared. Our road trip took us across the state – meeting with them all – resulting in a powerful collection of interviews that are at once humble, revealing and honest.
Continue reading full curatorial essay in the catalogue below.
Locations
Tandanya National Aboriginal Cultural Institute, Adelaide; The Walter Nichols Memorial Gallery, Port Lincoln; Yarta Purtli Port Augusta Cultural Centre, Port Augusta; Art Gallery of South Australia, Adelaide
Artists Allan Collins, Brad Darkson, Beaver Lennon, Hayley Millar-Baker, Clem Newchurch, Lavene Ngatokorua, Sandra Saunders, Damien Shen, James Tylor and Tony Wilson
Curator Jessica Clark
Date 2019
Damien Shen, All I want to say 2019; One In, All In 2019, acrylic on canvas. Courtesy the artist and Mars Gallery, Melbourne. Photograph: Country Arts SA
Beaver Lennon, Indigenous Return, Vietnam Veteran 2019, impasto and acrylic on canvas, 81 x 136cm. Courtesy of the artist and Ceduna Arts & Cultural Centre. Photograph: Country Arts SA
Hayley Millar Baker, Untitled 1 (Still Life of a Ramindjeri Elder) 2019; Untitled 2 (Still Life of a Ramindjeri Elder) 2019, inkjet on cotton rag. Courtesy the artist and Vivien Anderson Galley, Melbourne. Photograph: Country Arts SA
Allan Collins, On Reflection 2019, detail, digital camera capture medium for projection onto white reflective screen, duration: 1min 53 sec. Courtesy of the artist. Photograph: Country Arts SA
Clem Newchurch, The Hidden Warrior 2019, native reeds, red gum, western myall, beeswax, fossilised clam, abalone shell, 140 x 155cm. Courtesy of the artist. Photograph: Country Arts SA
Brad Darkson, Holiday Boy 2019, neon, mdf, pine, acrylic paint, 150 x 50cm. Courtesy the artist. Photograph: Country Arts SA
Tony Wilson, Dark and Light 2019, acrylic, photographic transfers, and stenciling on canvas, 152 x 60cm. Courtesy the artist. Photograph: Country Arts SA
Sandra Saunders, Bundjalung Man’s Journey 2019, painting: acrylic, paper, and found objects on canvas, 122 x 60cm; installation: Australian flag, wooden cross, plastic skeletons, replica medals, dimensions variable. Courtesy the artist. Photograph: Country Arts SA
Lavene Ngatokoroua, Kudityi 2019, digital photograph on metallic paper, 110 x 90cm. Courtesy the artist. Photograph: Country Arts SA
Raymond Zada, Human. Nature 2019, detail, HD video 3’03”, 12mins 11sec. Courtesy the artist. Photograph: Country Arts SA
Major Sumner AM, Shield and Spears Guarding Their Country - Wakkaldi Kaiki Tapun Yarluwar Ruwe 2019, Wakkaldi (Shield): kiln formed wheel ground and engraved glass, 44 x 92 x 7cm; 29 Kaiki / (Reed Spears): reed, teatree, nglaiye (grasstree) sap, wax, ribbon, 150 x 2 x 2cm (each). Courtesy of the artist. Photograph: Country Arts SA
James Tylor, Not Quite Men, No Longer Boys 2019, timber, canvas, screws, PVA glue, ochre, and natural fibres, 125 x 64 x12cm. Courtesy the artist and Vivien Anderson Gallery, Melbourne. Photograph: Country Arts SA
Touring
Tandanya National Aboriginal Cultural Institute, Adelaide (25 April–June 2019)
The Walter Nichols Memorial Gallery, Port Lincoln (14 June–20 July 2019)
Yarta Purtli Port Augusta Cultural Centre, Port Augusta (5 August–14 September 2019)
Art Gallery of South Australia (15 October–24 November 2019)